 |
|
|
|
|
|
|
|
|
|
|
|
|
|
 |
|
||||||||||||
 |
 |
 |
|
||||||||||
 |
|
||||||||||||
 |
 |
 |
|
||||||||||
 |
|
||||||||||||
 |
 |
 |
|
||||||||||
 |
|
||||||||||||
 |
 |
 |
|
||||||||||
 |
|
||||||||||||
 |
 |
 |
|
||||||||||
 |
|
||||||||||||
 |
 |
 |
|
||||||||||
 |
|
||||||||||||
María del Mar Navarro, was formed at the Jacques Lecoq school of
theatre in Paris, where she made two professional years (1990-92) and a
third pedagogic one (1994), specialising in school’s pedagogy. She has
been scenic movement and improvisation teacher in Abadía de Madrid
theater and has also been responsable of the movement in perfomances
such as:
- “El Retablo de la avaricia, la lujuria y la muerte” (Valle Inclán)
- “Los Entremeses” (Cervantes) directed by José Luis Gómez
She has cooperated in
the movement in some other productions such as:
- “La noche XII” directed by Gerardo Vera for Abadia theatre
- “Histora de una escalera” directed by Juan Carlos Pérez
de la Fuente for the dramatic national centre, among others. She is also a
teacher in acting movement in E.C.A.M
(Escuela cinematográfica de Madrid)
Andrés Hernández,
actor and musician, was specialised in voice with the “Roy-Hart Theatre”
working with several of his members and taking part in a process of pedagogic
investigation with one of his founders (Noah Pikes), and also in Odin theatre
and Grotowski.
From 1980 to 1994, she has belonged to the “la Tartana Teatro”
company,
performing more
than a dozen shows represented in a lot of festivals around
the world (Austria, Germany, Denmark, Canada)....He has composed music for
several dance and theatre companies such as Provisional Danza, Ernesto
Caballero, Esteve, Ponce Cia and some others.
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||